If wishes were horses, Rajnikanth would ride off to the Himalayas and take sanyas. Seriously. We're not joking. For the expectations from him are so mindbogglingly huge, that even if gives the best of the best hits, it is not enough. The discriminating audience and the critics want even more. A superlative verdict. A perfect work of art. But, sadly, only plastic things are perfect, while living things look good with their little imperfections.
Take, for example, Sivaji: The Boss, which was released with much fanfare today. It has all the ingredients, and in the right doses, to call it a superhit. But, no, the critics, say, the first half is a little slow, the dialogues are a little drab, A R Rahman's background music is unimpressive, and there is no punch in Rajni's dialogue delivery. What crap! These are the same guys who will have names for a perfect piece of art like the Taj Mahal, too.
Like all his earlier films, Rajnikanth seeks to play the good samaritan to the core. And so, this NRI, who earns loads and loads of money, Rs 250 crore to be precise, wants to spend it on charity by constructing hospitals and educational institutions to offer quality education to the poor and the needy -- all for free.
But will the education mafia allow him to do that? Definitely, not. Because it will deal a deathly blow to their money making institutions. So headed by Suman, the godfather of the education mafia, they gang up to ensure that his plan is nipped in the bud. And how do they do it? With the help of politicians and the bureaucracy. Director Shankar, in his own unique style, exposes the corruption that is eating away the innards of our political system and lays bare the politician-bureaucrat nexus.
Shankar paints a realistic picture of how anyone who wants to do good in the society, however big or mighty he might be, without whetting the appetites of the ruling class, is bound to end up like paupers. It is only the blood-sucking, power-hungry, money-minded people who survive in the country. And this explains why the politician-bureaucrats-contractors nexus still rules the country. So, Rajnikanth too loses his all in his attempt to provide social infrastructure. Predictably, the interval follows.
How Rajnikanth picks up the gauntlet and gives the bad guys a taste of their own medicine is the crux of the remaining part of the story. And, once the curtains go up after the interval, the film picks up momentum with the Rajni's trademark quips, witty dialogues and his unique mannerisms. And director Shankar rivets our attention with gusto. And only a director of his calibre could have been able to pull off an impossible coup as Sivaji: The Boss.
The film has the right mix of entertainment with Shreya oozing the much-needed oomph to make the audiences go bonkers. She looks great and exudes an aura that will be remembered in the South Indian film circles for some time to come.
Like all his films, Rajnikanth has a too has a cool dialogue in Sivaji, too. And that is COOL. And when he says it in his typically naughty way to taunt the baddies, it is a sight to watch. The way Rajni plays on the chewing gum is hilarious and drives the fans crazy.
Rahman delivers a classy concoction and some of the songs, especially the one starring Nayanatara is bound to be popular.
A COOL movie to the core, if it sags in its enthusiasm, it is only because you are watching it with blinkers on: that is the expectations, I've been talking ablout. And if you go to watch Sivaji with such an attitude, you are bound to make it a miserable experience. Otherwise, it is a wonderful film by all standards. Don't miss it for anything in the world.
That guy Vivek will have you in splits. And when he is in Rajni's company, which he always is throughout the movie, it is a double treat. And for the critics, I have only one advice. Go take a walk!!
